Featured workshops
Bharatpur Bird Photography WorkshopKeoladeo National Park, Bharatpur · Four days at the wetland: winter migratory birds, mist and golden light, and time to slow down. From fieldcraft through to the final edit, in a small group of six to seven.
Kaziranga Wildlife Photography WorkshopKaziranga National Park, Assam · Five days on the Brahmaputra floodplain: one-horned rhinos in the mist, elephants and swamp deer in tall grass, and the time to photograph them with intent, in a small group of six.Ways to learn with me
Wildlife photographer and teacher, India and beyond
Slow down. Notice what matters. Make frames you still want to keep.
001Selected work
I do not group this work by species. I group it by what made the frame work: light, behaviour, form, stillness, and subtraction.
002Intent
I read the field before I raise the lens.
I wait for the light, gesture, or line to agree.
I leave out anything that pulls the eye away.
003One frame, one story
The wind was throwing sand across the Thar. For a few seconds, the light, the posture, and the storm lined up.
004Upcoming
Four days at the wetland: winter migratory birds, mist and golden light, and time to slow down. From fieldcraft through to the final edit, in a small group of six to seven.
Five days on the Brahmaputra floodplain: one-horned rhinos in the mist, elephants and swamp deer in tall grass, and the time to photograph them with intent, in a small group of six.
005Learn With Me
Bring your raw files. We finish them together.
A longer, patient way to build your eye.
If you are not sure what fits, start with a call. We will work it out together.
006Recognition
These links lead to certificates, galleries, or the frame behind the recognition.
007Read and practise
EssayMost first visits to Bharatpur come home with too many photographs and few good ones. This is a field guide to the other way: when to go, how the wetland gets you close, and how to make frames you keep.
ReadEssayMost first visits to Kaziranga come home with a card full of rhinos and few photographs. This is a field guide to the other way: when to go, which ranges to work, and how to make frames you keep.
Read
EssayThe world has no edges. The moment you raise the camera you draw one, and where you place that edge, close to your subject or far from it, decides how the whole photograph feels.
Read008Field notes
A quiet letter, now and then: what I am seeing, how a frame was made, and where I am headed next. No noise. Just the part worth keeping.
