Most first-time visitors to Kaziranga come back with a hard drive full of rhinos and not many photographs. The park is generous, rhino in the open grassland, elephant herds, swamp deer, and an extraordinary density of raptors and waterbirds, and the temptation is to keep shooting everything that moves.
This workshop is built around the opposite habit. Two safaris a day across the park's three ranges, with real time in between to look at what you photographed. Evenings on the laptop, picking apart the keepers and the near-misses. We start, on the first afternoon, by talking about intent: how to look past the documentary record of a rhino and toward the light, the grass, the moment.
By Day 3 you'll be slowing down on your own. By the last morning you'll be passing on frames you would have shot on Day 1. That's the work: five days on one floodplain, learning to see it properly.
